Tuesday 18 November 2014

Scarlet Witch & Ms Marvel in FEMALE BONDING


Hi again folks, here's a ten pager from my motley crew of Scarlet Witch centric scripts.

This time we've plopped down right in the middle of Kurt Busiek and George Perez's fantastic Avengers run (a personal favorite Avengers era of mine). So we've got Wanda shakily taking the reins of the team, gaining her feet and her confidence.

This story also co-stars Carol 'Ms Marvel' Danvers from this period. Back then she was hitting the local tavern in-between kicking super-villainous ass and sassing her team-mates. Who doesn't love Carol?

Also just for fun - I've revived a Captain America from the late, great (and as yet unsurpassed) Mark Gruenwald's run. The super-bad femin-nazi  Superia.

This one was fun to write.

Hope it's fun to read...
NOTE TO ARTIST: I’ve included a suggestion for panel layout at the start of each page. This is nothing more than a suggestion to give you a feel for why I’ve paced the dialogue the way I have. Feel free to lay the pages and panels out what ever way you think works best.

PAGE ONE
 
Four panels, two rows. Panel one is page wide and takes up three quarters of the page. The remaining panels share the bottom row taking up the remainder of the page.
 
1.) Its bright, sun-washed day in New York City. We’re out on the front lawn of Avenger’s Mansion. The mansion itself fills the background looking majestic and impressive as always. However its plush manor-home outward façade has been somewhat marred by the two mangled, smoking gun turrets that protrude from open sliding panels on either side of the front doors. A few feet in front of the doors the super-villainess SUPERIA stands tall, proud and triumphant. She’s got one glowing gloved hand wrapped around the throat of WONDER-MAN. Her arm extended to its full length raised slightly above her head. Given her Amazonian stature Wonder-man’s feet dangle several feet above the ground. He’s got one hand wrapped around her wrist trying in vain to break her grip. His other hand hangs limply at his side. The energy that makes up his hands and feet has begun to bleed and break off. Sparks and chunks of it drifting off in the wind leaving his dangling arm and both legs ending in vague indistinct stumps where his feet and hands should be.
Strewn around the lawn at Superia feet are the unconscious forms of the other Avengers. CAPTAIN AMERICA lies on his side next to her, several feet away from his shield, his costumer tattered and smoking. HAWKEYE lies on the other side of her on his back, his arrows and broken bow scattered on the grass around him. IRON MAN lies face down and motionless, one of Superia’s high-heeled boots resting on his back.
The voice in the captions belongs to the SCARLET WITCH who is looking on from somewhere off panel. We’ll see where she is and what she’s doing in the next panel.
 
WONDER MAN (choked):
*AKK* WHAT DO YOU WANT?
 
SUPERIA:
MY RECENT DEFEATS AT THE HANDS OF YOUR FLAG-CLAD RINGLEADER HAVE SOWN DISSENSION
AMONGST THE RANKS OF MY FEMIZONS.
 
SUPERIA:
I THOUGHT BRINGING THEM THE HEAD OF A FEW AVENGERS WOULD REMIND THEM WHO IS IN CHARGE.
 
2.) Switch to an angle with Superia’s head and shoulders in the bottom foreground. Our focus is beyond her, beyond the walls that surround the mansion, one a rooftop across the street. We can see the Scarlet Witch in full costume lurking behind a roof turret, trying to see what’s happening but not be spotted stay out of sight.
 
SCARLET WITCH:
OH GOD SIMON.
 
SCARLET WITCH:
I TOLD YOU THIS WAS A MISTAKE. I SHOULD BE DOWN THERE BACKING YOU UP…
 
3.) Cut to a close up of the SCARLET WITCH peeking out from behind the turret. She’s got a worried look on her face and her Avenger’s ID card in one hand.
 
CAPTION:
…NOT UP HERE CALLING FOR A CALVARY, WHO AREN’T PICKING UP!
 
4.) Cut to a shot looking down over the witch’s shoulder at the Avengers ID card she’s looking at. The little screen in the top left corner is full of crackling static. The voice of MS. MARVEL is coming into shot from off panel right.
 
SCARLET WITCH:
COME IN! JENNIFER? VANCE? SOMEONE!
 
SCARLET WITCH:
THIS IS AN EMERGENCY!
 
MS. MARVEL:
HEY WANDA…
PAGE TWO
 
Six panels, two rows. Panel one is tall and vertically narrow. It takes up the top left half of the top row. Panels two and three are stacked one on top of the other on the right of the top row. Panels four, five and six are across the bottom with a bit more space going to the last panel. If you want to do something more imaginative than just three simple side by side panels have at it. Maybe some short of staggered layout with each panel being bigger than the one before would work.
 
1.) Cut to a full figure shot of MS. MARVEL. She’s a few feet behind Scarlet Witch (who can be partially visible in the foreground if there’s room). She’s in full costume but standing casually with one hand on her hips and the other running through her long blonde hair as it flaps in the wind. She looks good!
Over her shoulder we’re getting our first good look at the rooftop. Behind her on the left a long-shafted TV antenna sticks up out of the roof. Behind her on the right is a workbench with a bunch of rags draped over it and a few paint cans resting on its far end.
 
MS MARVEL:
…WHAT’S THE HUBBUB?
 
SCARLET WITCH (jag):
CAROL!
 
SCARLET WITCH:
YOU SCARED ME!
 
2.) Cut to a two shot of the girls in profile. Ms Marvel is in the foreground. She has stepped forward to the edge of the roof and rested on boot on the raised ledge. She’s leaned forward her arms, crossed, leaning on her raised knee, peering over the edge of the roof. Beyond her the Scarlet Witch looks annoyed demanding to know why she didn’t answer her call.
 
SCARLET WITCH:
I’VE BEEN CALLING. WHY DIDN’T YOU RESPOND?
 
MS MARVEL:
I WAS IN A BAR, A FEW BLOCKS OVER. THOUGHT IT’D BE QUICKER TO JUST COME.
 
MS MARVEL:
WHOA, SHE’S GOT YOUR HONEY DOWN THERE. I’M SURPRISED YOU WAITED FOR ME.
 
3.) Close on the Witch who bristles at that last remark. She’s pointing an angry finger in our direction as she replies with sneer of growing irritation on her face.
 
SCARLET WITCH:
I MAY NOT BE A MILITARY STRATEGIST, BUT I’M NO HOT-HEADED AMATEUR EITHER.
 
SCARLET WITCH:
RUSHING IN AND GETTING MYSELF KILLED WOULDN’T HELP SIMON.
 
4.) Cut to a mid figure two shot. Ms Marvel is in the foreground walking away from the edge, and from the Witch toward us. She’s muttering a half-hearted apology over her shoulder as she looks around the rooftop, searching for something. Behind her the Witch’s look of irritation grows as she tries to fill her team-mate in on the situation but is aware that Ms Marvel is barely listening.
 
MS MARVEL:
WHOA, EASY THERE TIGER. I DIDN’T MEAN ANYTHING BY IT.
 
SCARLET WITCH:
LOOK, I’VE READ CAP’S DOSSIER ON SUPERIA. SHE’S A HEAVY HITTER.
 
5.) Reverse angles. The Witch is now in the foreground with her back turned partially toward us. We’re looking past her, across the roof at Ms Marvel. She’s breaking a tall TV antenna with one hand. The long shaft snaps near the bottom so that Ms Marvel has the makings of a pretty odd looking spear in her hand.  The Witch’s frustration has now boiled over and she demands to know what the hell her team-mate is doing. Again Ms Marvel is answering her without looking, she’s focused on her makeshift spear.
 
SCARLET WITCH:
WE’LL NEED A PLAN IF WE’RE - -
 
SCARLET WITCH:
CAROL! WHAT ARE YOU DOING?
 
MS MARVEL:
SHE DOESN’T LOOK SO TOUGH. WHY DON’T WE SKIP ALL THE FOREPLAY…
 
6.) Pull out to a full figure up-shot of Ms Marvel. She has stepped back to the edge of the roof and is hurling the TV antenna spear down at us with all of her might. Let’s throw in some motion lines showing the arc her throwing arm travels so the reader can feel the ‘oomph’ she has put behind it.
 
MS MARVEL:
…AND GET RIGHT TO THE POINT!
 
PAGE THREE
 
Five panels, three rows. Panel one is page wide with panel two as an inset in its bottom left hand corner. Perhaps the inset could even straddle the gutter between the top and middle row a little if it helps with the flow of the page. Panel three is page wide and horizontally narrow across the middle. Panels four and five split the bottom row.
 
1.) Cut to a high angel shot looking down past the hurtling spear at Superia. Unfortunately she’s hard to take unawares. She has raised her free hand (her other hand still holding the stricken Wonder Man aloft by his throat) and disintegrated the makeshift spear in mid-air with the thunderous concussive blast that roars out of her closed fist.
 
SFX:
THROOM!
 
SUPERIA:
A SNEAK ATTACK. I THOUGHT SUCH COWARDLY TACTICS BENEATH THE VAUNTED AVENGERS.
 
2.) Close in for mid-figure shot of Superia as she pointed both fists at us unleashing an even bigger concussive blast.
 
SUPERIA:
COME! SHOW YOURSELF!
 
3.) Cut to a low angle shot from a few feet below the edge of the rooftop where Ms Marvel and the Scarlet Witch are perched. They are looking down at us with wide eyed horror. The Witch is making that distinctive spell-casting gesture with her hands, a hex bolt leaping from her outstretched fingers and colliding with the on-coming force blast. Where the two forces meet Superia’s blast is suddenly diverted, making a sharp turn, missing the girls and colliding with the building a few inches below them.
NOTE: The SFX for the blast hitting the building should stretch from this panel into the next where the consequences of the impact are felt.
 
SCARLET WITCH (jag):
CAROL!
 
SCARLET WITCH (jag):
LOOK OUT!
 
SFX:
SHHAAWWWAA
 
4.) Cut to a shot of Ms Marvel in profile as the roof beneath her feet explodes in a furious orange fireball. Clouds of dust and chunks of concrete are send flying through the air every which way. Ms Marvel herself is thrown back into the air like a rag doll.
 
SFX:
BOOOOM.
 
5.) High angle shot of Ms Marvel as she crashes down on top of the workbench we saw behind her on page two, panel one. She’s gone limp, landing hard. The workbench shatters to splinters beneath her. She has crashed into the end closest to her causing a catapult effect that tosses the paint cans that had been resting on the far end high into the air. The scene is filled with flying globs of paint and shards of splintered wood.
 
SFX:
KRUUNNCCHH!
 
PAGE FOUR
 
Five panels, three rows. Panels one, two and three are equal sized across the top row. Panel four is page wide across the middle row. Panel five is page wide across the bottom. Panel four should maybe be given a little more space than panel five as it has a bit of background to show.
 
1.) Cut to a full figure shot of the Scarlet Witch. We’re a few feet away as she is not our primary focus here. Our primary focus is on of the paint cans as it goes sailing over her head. It has managed to stay upright only tipping slightly as it flies across the panel. The Witch is watching it go by. We can tell from it’s trajectory that it’s heading right off the edge of the roof.
 
NO COPY
 
2.) Same shot. Now the paint can is over the edge of the roof, beginning its descent. The paint inside is beginning to spill out as it tips over. The Scarlet Witch is still watching it taking a few steps toward the edge of the roof so that she can follow it down.
 
NO COPY
 
3.) Same shot. The paint can is now off panel. Wanda is at the edge of the roof looking down. She’s got one hand cupped over her mouth in equal parts amusement and shock. A screech from Superia is coming from far below. She was unfortunately directly beneath the falling can.
 
SFX:
SPLUCH!
 
SUPERIA (jag):
ARRGGHH!

4.) Cut to the mansion lawn for a full figure shot of Superia. She is drenched in paint. It covers her face, shoulders and chest. She’s frantically rubbing at her eyes with the fingers of both hands. She’s taking swerving, wavering, staggering steps, panicking due to her sudden blindness. Wonder man lies on the grass behind her watching, propped up on his one solid elbow. His other hand and both legs are still nothing but slowly dissipating stumps.
 
SUPERIA (jag):
NO! I’M BLIND!
 
SUPERIA (jag):
YOU’VE BLINDED ME!
 
5.) Cut to a full figure shot looking up at the Scarlet Witch from a low angle. She has leapt from the roof and is in free-fall. Her hair and cape is billowing majestically in the wind behind her. Both her hands are in the spell-casting gesture sparks of mystical energy dancing between her fingertips. This should be a kick-ass action shot – it should really pop.
 
SCARLET WITCH:
THIS IS MY CHANCE!
 
SCARLET WITCH:
BEST NOT WASTE IT!

PAGE FIVE
 
Four panels, two rows. Panel one is tall and vertically narrow. It takes up the top left quarter of the page. Next to it on the top row panels two and three are stacked one on top of another. Panel four is page wide and has the bottom row to itself.
 
1.) Cut to a low angle shot. We’re looking up at the Scarlet Witch from halfway down the building. She’s plummeting toward us her face turned up, eyes looking dead ahead. She’s got her body straightened and her legs stretched out behind her like a skydiver. She’s basically nose-diving toward the street but the expression on her face is not one of fear but if total concentration. Crossing the panel between us and her is a phone cable on end of which is affixed to side of the building. She’s got her hands held up in her ‘hex’ gesture. The mystical sparks swirling between her fingers are leaping to the cable, dancing and shimmering along it’s length.
 
NO COPY
 
2.) Bring our point of view up, level with the Scarlet Witch. As she plummets past the cable she has reached out and grabbed onto it with both hands.
 
NO COPY

3.) Tight close up on the cable where it is affixed to the building wall. Her extra weight has yanked the cable loose of its mornings.
 
SFX:
SNAP
 
4.) Pull out to a full figure shot of the Scarlet Witch as she swings across the panel, several feet above the ground holding onto the severed phone cable like Spider-man. She has twisted her body around thrusting on foot out in front of her like a jouster’s lance. Her eyes are narrowed and her teeth are gritted. Her scarlet cape flaps wildly in the wind behind her.
 
NO COPY
PAGE SIX
 
Two panels, two rows. Panel one takes up the lion’s share of the page. Panel two is page wide across the bottom taking up whatever space is left.
 
1.) Big action shot. As the Scarlet Witch swings up past Superia her outstretched boot collides with blinded villainess’ chin. Superia pitches backward toward us. Her face is etched with pain and a spray of blood flies from her mouth.
 
SFX:
KRRUUNTT!!
 
SUPERIA (jag):
OOMMPPH!
 
2.) Superia goes bouncing across the lawn before crashing back-first into the wall of the mansion with a bone-crunching thud. Let’s show ghost images of her path across the path (you know the way John Romita used to do those ghost images of Spidey doing complex web swings around a cityscape).
 
SUPERIA:
OOF!
 
SUPERIA:
UFF!
 
SUPERIA:
AGGH!
 
SFX:
THUD

PAGE SEVEN
 
Six panels, two rows. Panel one takes up, roughly, the top left quarter of the page. Panel two is next to it but it is not as big leaving some room for panel six to encroach into the top row a bit. Panels three, four and five are stacked one on top of the other in the bottom left quarter of the page. Both panels three and four shouldn’t take up too much space, panel four being especially small and narrow. Squish them as much as required to give panel five the space it needs. Panel six is tall and vertically narrow in the bottom right. It can use up all the space that’s left.
 
1.) Cut back to a full figure shot of the Scarlet Witch. She’s standing in her fighting stance, prepared for Superia to get back up. Her stance is softening though as she turns her head to glance back at Wonder Man who lies on his back on the grass just behind her. He’s propped up his one good elbow again. He’s looking up at her is awe and disbelief.
 
SCARLET WITCH:
SIMON? ARE YOU OKAY?
 
WONDER MAN (whisper):
WOW WANDA…THAT WAS…AMAZING.
 
2.) Cut to a tight two shot of Scarlet Witch and Wonder Man. She’s hunkering down next to him. He’s smiling up at her dopily, reaching out to her with his dissipating hand. One of Wanda’s hands is one his shoulder the other is waving in the air in an exasperated gesture to go with the scowl of irritation on her face.

WONDER MAN (whisper):
I NEVER KNEW YOU COULD FIGHT LIKE THAT.
 
SCARLET WITCH:
DON’T YOU START WITH THAT.
 
3.) Cut to a tight head and shoulders close-up of the seemingly unconscious Superia. She lies slumped against the fractured brick of the mansion wall. She’s got a splash of blood at the corner of one mouth and a little stream of blood flow from each of her nostrils. Her face is bruised and swelling. She looks like she’s been through the mill.
 
SCARLET WITCH:
HAS EVERYONE FORGOTTEN…
 
4.) Tight close up on Superia’s eyes as they suddenly snap open.
 
SCARLET WITCH:
I’VE BEEN AN AVENGER FOR A LONG TIME.
 
5.) Low angle shot of the Scarlet Witch. She is caught completely by surprise as Superia arms shoot in from behind her (in from off the top of the panel) and wrap themselves around her throat in a vice-like grip. The Witch’s face contorts in pain and surprise.
 
SUPERIA (off panel):
I HOPE YOU ENJOYED IT WITCH…
 
6.) Full figure shot of Superia and the Scarlet Witch. The super-villainess is behind the Witch both hands still wrapped around her throat. She’s using her immense strength and height to life Wanda up off the ground. Her feet jerk and kick at the air looking for purchase and finding none. She’s yanking at Superia’s grip with both her hands but she’s much too strong. If there’s room show Wonder Man lying in the grass reaching out toward them with his dissipating hand but unable to help.
 
SUPERIA (off panel):
…BECAUSE IT’S ABOUT TO COME TO AN ABRUPT END!
PAGE EIGHT
 
Four panels, two rows. Panels one and two can be stacked one on top of the other or placed side by side, whatever looks better and is makes the reading sequence clear to the reader. Panel three is next to panels one and two on the top row. Panel four is narrow on the left of the bottom row leaving plenty of space for the action shot in panel four.
 
1.) Close in for a shot of the Scarlet Witch. We don’t need to see her in her entirety (feel free to cut her head out of the top of the panel). We’re interested in her hand which is at her side making the spell casting gesture. That familiar mystical energy is swimming around her fingers again.
 
NO COPY
 
2.) Close on Superia’s feet. Perhaps we can see the Scarlet Witch’s kicking feet thrashing in the top left of the panel. Our focus her is Superia’s boot (the one closest to us). The mystical hex energy is shooting down into shot to dance around the heel of the boot.
NOTE: Depending on the layout you go with it may be cool to have a little stream of hex energy connect Wanda’s hand in the previous panel to Superia’ heel in this panel (split by the gutter of course).
 
NO COPY
 
3.) Cut to a full figure shot of Superia as the heel of her boot gives way beneath her. The sudden break causes her to off balance, dropping the Scarlet Witch and stumble a few steps toward us. Her arms are stretched out to either side flapping in an attempt to prevent her from over-balancing.
 
SFX:
KRAK!
 
SUPERIA:
DAMMIT! MY HEEL!
 
4.) Cut to a tight head and shoulders reaction shot of Superia. Ms Marvel’s voice is coming in from off panel causing Superia to suddenly look up. Her eyes are wide and her face is portrait of mounting horror.
 
SUPERIA:
OF ALL THE CURSED LUCK! I WAS - -
 
MS MARVEL (off panel):
DISTRACTED BY THE PITFALLS OF FIGHTING IN HEELS…
 
SUPERIA:
HUH?
 
5.) Pull out to a wide shot. Ms Marvel is rocketing into shot from the top left corner of the panel. She has both fists stretched out in front of her like a aerodynamic human missile. Both fists collide with Superia’s gut. She is doubled up and carried off her feet by the force of the impact. Carol is grinning from ear to ear, her long blond locks flapping wildly around her in the wind.
 
MS MARVEL:
…THAT’S A ROOKIE MISTAKE LADY!
 
SFX:
WHAM!
 
PAGE NINE
 
Six panels, three rows. Panels one and two are on the top row. Panels three, four and five are across the middle row. This should be the tallest row on the page. Panel six is a narrow letterbox panel across the bottom. It doesn’t need a lot of room

1.) Cut to a high angle shot. The force of Ms Marvel and Superia colliding with the ground is digging a huge, deep grove in the lawn. Grass, dirt and mud go flying as they skid to an eventual halt a few feet into the middle ground.
 
SFX:
THUD-UD-UD-UD-UD!
 
2.) Pull out to a long shot. The Scarlet Witch is partially in the bottom right foreground rushing along the muddy groove in the lawn to Ms. Marvel’s side. In the middle ground on her feet, at the far end of the groove, wiping the dust and dirt from her hands is Ms Marvel. She’s casting a disdainful glance back down at her fallen foe. Superia lies a few feet behind Carol sprawled and broken upon a mound of dirt and mud. Carol’s costume is marred with mud stains here and there. Superia’s costume on the other hand is caked in paint and mud – she looks a right state.
 
SCARLET WITCH:
CAROL!
 
MS. MARVEL:
I’M ALRIGHT. I’M ALRIGHT.
 
3.) Cut to shot of Ms Marvel and Scarlet Witch looming over the off panel Superia. We’re looking up at them from her point of view. Let’s maybe show Superia’s hand reaching up into shot from off the bottom of the panel. Both Avengers are looking down at us with a mixture of wariness and pity.
 
SCARLET WITCH:
IS SHE - -
 
SUPERIA (weak):
SIS - - SISTERS - -
 
4.) Same shot of the ladies looming over Superia. Superia’s hand has now clenched into a shaking fist. The Scarlet Witch and Ms Marvel are exchanging glances as if they’re considering her proposal.
 
SUPERIA (weak):
YOU HAVE PROVEN YOURSELVES MIGTHY WARRIORS. JOIN ME.
 
SUPERIA (weak):
TOGETHER WE COULD WREST THE REINS OF POWER FROM MEN AND RULE THIS PLANET AS
GODDESSES!
 
5.) Same shot. Now both of Superia’s hands are in shot, palms out in a ‘don’t hit me gesture’. The Scarlet Witch is drawing back her fist ready for the knock-out blow. Ms Marvel is pouting her lips and screwing up her brow in a ‘nah’ gesture and she’s shaking one limp-wristed hand in a ‘no thanks’ gesture.
 
SCARLET WITCH:
I ALREADY HAVE A MEGALOMANIAC FATHER AND AN EGOMANIAC BROTHER…
 
SCARLET WITCH:
…A MISANDRIST SISTER IS THE LAST THING I NEED.
 
SUPERIA (weak):
SISTER. NO PLEASE.
 
6.) Extreme close up on the Scarlet Witch’s fist surrounded by impact lines. This is the knock-out blow – Batman 66 style.
 
SFX:
POW!
PAGE TEN
 
Six panels, three rows. Six panel grid, two panels per row.
 
1.) A full figure two-shot of the Scarlet Witch and Ms Marvel. Wanda is shaking her stinging fist trying to ease the pain in her knuckles from the punch she just laid out Superia with. Ms Marvel is hitting her with a congratulatory, but inadvertently painful, pat on the back. Wanda is shooting her an irritated glance. Carol is smiling broadly at her.
 
MS MARVEL:
WAY TO GO WANDA. I DIDN’T KNOW YOU HAD IT IN YA!
 
SCARLET WITCH:
OUCH!
 
2.) Cut to a shot of the Scarlet Witch from Ms Marvel’s point of view. Wanda is coming at us, brandishing an accusatory finger and look of contempt.
 
SCARLET WITCH:
LOOK. I DON’T KNOW WHO YOU THINK YOU ARE PATRONISING ME BUT - -
 
3.) Cut to a mid-figure two-shot of the ladies. Ms Marvel is on the left holding her hands up in a ‘whoa’ gesture. Wanda is on the left shying away from her, blushing. She’s coyly brushing her hair out of her face with her hand.
 
MS. MARVEL:
HEY, ALL I MEANT WAS, IF IT WAS A CHOICE BETWEEN YOU WATCHING MY BACK AND ANY ONE OF THE
GUYS.
 
MS. MARVEL:
I’D TAKE YOU ANY DAY OF THE WEEK AND TWICE ON SUNDAYS!
 
SCARLET WITCH:
OH – WELL I – THANKS…I THINK.
 
4.) Cut to a full figure two shot of the ladies. The Scarlet Witch is gesturing toward the guys who are still lying strewn on the lawn in the background. She’s looking glum now. Ms Marvel, still smiling, is waggling a thumb between Wanda and herself in a’ you and me’ gesture.
 
MS. MARVEL:
TELL YOU WHAT. HOW ‘BOUT WE GET THESE GUYS TO THE INFIRMARY, GET SUPEY HERE HAULED OFF
TO THE VAULT…
 
MS MARVEL:
…THEN YOU AND I HEAD OUT FOR MOHITOS?
 
SCARLET WITCH:
OH. I SHOULDN’T. SIMON IS - - I SHOULD - -

5.) Tight head and shoulders close up of Scarlet Witch. She’s finally treating us to a smile as she decides ‘to hell with it’ and gives in to Carol’s charms.
 
SCARLET WITCH:
ON SECOND THOUGHT, AFTER WHAT WE JUST WENT THROUGH…
 
SCARLET WITCH:
…I COULD USE A DRINK…
 
SCARLET WITCH:
…A BIG DRINK.

6.) A ‘walking off into the sunset’ shot of Ms Marvel and the Scarlet Witch. We’re behind them watching them walk off toward the mansion. Carol has one arm draped over Wanda’s shoulder.
 
MS MARVEL:
WANDA HONEY…
 
MS MARVEL:
…NOW YOU’RE TALKING MY LANGUAGE.

BLURB: THE END

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